![]() ![]() ![]() The spine wrapper is simply trimmed to match the boards of the head and tail, there are no turn-ins or caps to be formed. Karen Hanmer will join Jeff in leading a brief ergonomic stretch break, before demonstrating "The Even More Simplified Binding: Laced-on spine wrapper with flange board attachment."Elegant and much leaner than the Simplified or Bradel, the Even More Simplified Binding is stripped down to only the essential elements: boards glued onto the flange of a separate spine piece that the sewing supports have been laced through. The context of seventeenth-century English bookbinding and other contemporaneous sources will be noted, and the relationship between actual books of the time and the tools used to make them will be explored in this lecture. Holme describes six essential tools: a folder, a beating hammer, a needle, a sewing frame, a lying press, and a plough. ![]() Randal Holme's 1688 'Academy of Armory' contains the only known images of seventeenth-century English bookbinding tools. Session 2 will begin with "An Investigation of Seventeenth-Century English Bookbinding Tools in Randle Holme's 'Academy of Armory,' " a lecture by Jeff Peachey. The talk will be followed by a walkthrough of physical copies of both books, as well as a demo of the Indo-Islamic papermaking process.Ģ021- 17th Century Bookbinding Tools and Even More Simplified Binding with Jeff Peachey and Karen Hanmer "Memory of Long Ago" (2018) as well as her current work in progress, "Flora of Mughal India," a collaboration between Pandey and traditional craftspeople in India to create an artist book inspired by 17th-century Mughal manuscripts. In this presentation, Radha Pandey will talk about two of her artist books for which handmade paper has been used, as an introduction to her work. Erin Fletcher will speak about the process of jurying the WILD/LIFE exhibition, and California chapter member John DeMerritt will discuss materials and techniques for building enclosures to store and protect your work.Ģ021- Making A Place for Paper with Radha Pandey Join President Bexx Caswell-Olson and Exhibitions Chair Geanne Goodman for tips and tricks for navigating the entire exhibition process, from intent to enter to de-instillation. It can also mean creating, submitting, and shipping your work so it can be photographed, juried, and hopefully included in a GBW exhibition. In 1906, the Guild of Book Workers was found, in part, to give "exhibitions of the work of its members, in New York and in other cities where local members request them." To be active in the Guild often means participating in the preparation, installation, and marketing of exhibitions at the national and chapter level. Erin will show a range of techniques to demonstrate how embroidery is incorporated into her own binding work with a particular focus given to working on leather and using embroidery alongside other decorative techniques.Ģ021- What to Expect When You're Exhibiting with Erin Fletcher and John DeMerritt Embroidery as a technique for bookbinding has seen a revival in all manner of binding styles, but particularly with design bindings. Today binders making embroidered bindings are using the same fabrics, but also experimenting on other materials such as leather, paper, veneer and suede. Many historical embroidered bindings were produced on canvas, velvet, silk or satin. This presentation will focus on both the past and present of embroidered bindings by showcasing an overview of historical examples from across Europe as well as contemporary work from binders located in Europe and North America. to Today with Erin FletcherĮmbroidery as a decorative technique for bookbinding may not be considered common, but its use has been found on bindings from the 14th century to today. 2022 - Stitching through History - Embroidered Bindings from the 14th C. ![]()
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